![]() However, in 1922, at age thirteen, Ionesco had to return to Romania. ![]() ![]() Without support, Ionesco’s mother had to take a factory job, leaving her son to spend lonely months in a cheerless children’s home near Paris. In 1916, when Germany declared war on Romania, Ionesco’s father left to return to Bucharest. A quarrelsome, choleric man, Ionesco’s father treated his wife badly, leading to her attempted suicide and to Ionesco’s life-long distaste for brutal authority figures. Ionesco’s early childhood was spent in Paris, where in 1912 his father took the family when he began studying law. AUTHOR BIOGRAPHYĮugene Ionesco (Ionescu) was born in Slatina, Romania, on November 26, 1909, the son of a municipal official and a French mother working as a civil engineer for a Romanian railway company. In the 1950s, La Cantatrice chauve was translated into various languages and widely staged by 1960, in the United States, where it had been translated and produced as The Bald Soprano, it was already being recognized as a modern classic, an important seminal work in the theater of the absurd, which by then was first coming into vogue in America. THE BALD SOPRANO PDF SERIESrealized that it was his destiny to write for the theatre.” He began a series of “anti-plays” that within a decade established his place in the new French theater, the group of avant-garde playwrights that included Samuel Beckett, Arthur Adamov, and Jean Genet. However, the negative responses mattered little to Ionesco, who “suddenly. Only the dramatist Armand Salacrou and the critic Jacques Lemarchand praised it. Essentially, even after it opened, La Cantatrice chauve remained a work in progress. They had also experimented, trying several different endings, for example. In rehearsal, the company had first tried staging the play as parody but had soon discovered that it worked best if presented as wholly serious drama, in the realistic mode of Ibsen. It was under Bataille’s direction that La Cantatrice chauve was first produced in French at the Theatre des Noctambules in Paris on May 11, 1950. One of these friends, Monique Saint-Come, showed the work to Nicolas Bataille, the director of a group of avant-garde actors working in Paris. These phrases were the inspiration for this anti-play or parody, “a comedy of comedies.” Although he set out to show how human discourse had devolved into a collection of empty platitudes and self-evident truisms, something that he believed was very distressing, his friends found his play very amusing, and they encouraged him to find a theater that would stage it. What did intrigue him was the banality of the expressions used in an English-language phrase book. In 1948, Eugene Ionesco began writing The Bald Soprano, as he later confessed, almost in spite of himself, for by that time he had come to despise the theater that he had much loved in his youth. ![]()
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